The East Coast Is Going to Get Arkansas-ified Robinson MeyerĪs the film begins, Batman (given the same gravelly voice that Will Arnett ably provided in The Lego Movie) is the hero of Gotham-always handily defeating a familiar list of supervillains led by the demented Joker (a gleeful Zach Galifianakis). As such, it’s a wry piece of meta-commentary that deconstructs (no pun intended) everyone’s favorite moody hero using the anarchic animated style of the Lego world. It’s a one-joke movie that’s based on a really funny joke. It is also, however, a terrific adaptation of Tim Burton’s gag-a take on Batman that sees the sitcom humor in his absurd lifestyle, brutalizing criminals by night and wasting his days in a cavernous mansion with only an elderly butler to talk to. The Lego Batman Movie is, on one level, a work of crass commercialism, just like its predecessor The Lego Movie. It’s a brilliant gag on Burton and Keaton’s part-a sly nod to the reality that, when he’s not cleaning up the streets of Gotham, Batman is a sad, lonely man, a billionaire unfulfilled by anything except putting on the mask. Suddenly, the Bat-signal flashes into the sky Bruce’s head jerks up, and he leaps into action, energized by the grim purpose of his secret crime-fighting identity. Bruce Wayne (Michael Keaton) sits in his desk chair, brooding silently in a giant, dark office, with seemingly nothing to do. Moviegoers’ first look at the Caped Crusader in Tim Burton’s 1992 gothic masterpiece Batman Returns was a peculiar one.
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